What do you see when you see the world and how do you see it? I have written much about the secular character of our culture and its “literal” view of the world. The world is what you see and nothing more. Significant events take their significance from their own relation to other literal events. Much that passes for Christian theology or “thought” belongs to this world-view today. Thus those who concern themselves with “prophetic” events are constantly working to make a connection between the words of Scripture and the “literal” events of today’s news. The coming of Christ is seen by them as an event that will fit within the headlines of the paper – and even fantasize about the difficulties presented to mainstream media when the event of a “literal rapture” occurs, and a significant portion of the population goes missing. It is a way to see the world – not significantly different than how any non-believer sees the world – and – I would suggest – deadly dull and wrong.
There are other ways to see the world. The “other way” with which I am most familiar is the world as icon. Of painted icons we say they are “windows to heaven.” Though no more than wood and paint, faithful believers find them to be something which points to something yet more – they both point to and make present here.
The house in which I live has a marvelous feature. The living room – dining room (more or less one large room together) has one entire wall as floor-to-ceiling windows. In addition, the living room is cantilevered so that parts of two additional walls consist of windows as well. The effect is that the main living space of my home constantly includes the outdoors. In the Autumn the room is suffused with golden light from the leaves of the many trees that overlook the rear of our house. In the Spring and Summer, the room takes on a radiance from the many trees and flowers. Even in winter as the room looks out over the naked wood of trees and offers views of neighboring streets and houses – the room remains transformed.
To say that something is a window is to recognize both its “literal” presence as well as its “iconic” function. It provides both wall to enclose and yet reaches out to include. The world, I believe, when properly seen, does the same. There are occasional views of certain aspects of the world that make the most hardened, literal heart pause and recognize that something transcendent, or something which certainly hints at the transcendent has come into view.
I well understand that there are people who do not believe in God. Oftentimes when they tell me about the God they don’t believe in, I have to say that I don’t believe in that God either. But I do not understand people who live in our world and do not wonder whether there is a God – whether the beauty that refuses to disappear, despite our best efforts – is not reflective of some greater Beauty that refuses to utterly hide Himself.
My children (now adult) laugh at me for once having scolded them about “fairy circles.” We were walking in the woods in Durham, N.C. My oldest girl was 8, her sister between 5 and 6. We came on a clearing with a beautiful circle of mushrooms. “It’s a fairy circle!” I exclaimed. Despite late night readings of Tolkien and Lewis, both of them laughed at me and said, “Papa!” in their most disapproving, skeptical voices. My scolding was that they did not at least pause to wonder.
I do not believe in fairy circles, nor did I expect my children to. But I do wonder (and I still pray that my children do and often). I wonder because I believe the world to be iconic – a window that reveals more than a first glimpse. It reveals a beauty and a vastness that stretches beyond the literal. The patriarch Jacob once fell asleep. He dreamed of a ladder reaching up to heaven and saw angels going up and down the ladder. His response was iconic: “Surely the Lord is in this place and I knew it not! How dreadful is this place! This is none other than the house of God, and this is the gate of heaven!”
I want to sleep and wake like a patriarch.