The Icon of Music

Orthodox theology is a “seamless garment”: no part of Orthodox doctrine, worship, prayer or life stands in a category of its own. Everything refers and reveals the one thing in Christ – our salvation. Even the doctrine of the Trinity, as utterly sublime as it is, remains a matter revealed for our salvation. Because this inter-relatedness is true, it is possible to speak of Scripture as a “verbal icon” (Florovsky), or to say that “icons do with color what Scripture does with words” (Seventh Council), or that “one who prays is a theologian and a theologian is one who prays” (Evagrius). In my limited reading I have never read any particular commentary that spoke of the music of the Church as an icon, but I feel confident in describing it in that manner. It is possible to say this, at the very least, because all of creation can properly be seen as icon – a window to heaven.

To say that music is an icon is not to have said all there is to say about music. But it does say something about the proper place of music in the Church. Music is not about us. Music in the Church does not exist for our enjoyment or entertainment, even though the joy associated with it may at times be exquisite.

Archimandrite Zacharias (of St. John’s Monastery in Essex) describes the heart of worship as “exchange.” It is not an exchange in the sense that we offer something in “trade” with God. Rather, it is an exchange that is also named “communion” and “participation.” God becomes what we are and in and through Him (by grace) we become what He is. This “exchange” is our salvation. In the mystery of Holy Baptism the candidate is asked, “Do you unite yourself to Christ?” The union which is brought about in Holy Baptism (Romans 6:3-4) is our salvation, “newness of life.” All that takes place within the Christian life is union and exchange – it is the means and manner of our salvation.

Music exists for exchange and union. It is the sacrifice of praise and thanksgiving in which we unite ourselves in offering our bodies (the voice) as a living sacrifice to God.

Let us who mystically represent the Cherubim,
And who sing the thrice holy hymn
to the life-creating Trinity,
now lay aside all earthly cares.
That we may receive the King of All,
Who comes invisibly upborne
by the angelic hosts,
Alleluia, Alleluia, Alleluia.
(Cherubic Hymn from the Divine Liturgy)

Not all paintings are icons. Not all music is iconic. Not every voice is raised in union with the heavenly hosts. To write a true icon is a great and holy thing. To sing in a manner that reveals heaven and unites us with the heavenly hosts is a great thing indeed. We were created to sing in just such a manner.

Lest I be misunderstood, I do not claim that all music in Orthodox Churches is iconic in character. Many Churches are decorated with religious art, which, though beautiful, is not iconic. Some music falls short of its intent within the Tradition. By the same token, there is music outside of the Orthodox Church that is iconic – both by accident and by intention.

Music that renders heaven opaque – particularly music presented as Christian – is tragic. We were meant to sing with angels – just as they delight in singing with us.

I will focus for a moment on a particular aspect of music’s iconicity. In a normal conversation, there is an unavoidable linearity: one voice speaks at a time. He speaks, I listen, I speak, He listens, etc. Frequently, this linearity is reduced to an exchange of information. Indeed, our present age is fixated on information, frequently thinking that more information will make better people of us all in a better world. We need to be reminded that we are not saved by information.

Music has a capacity for many voices. At times, there can be more than a single thought being offered as different parts, or different voices offer a harmony of meaning. The movement of tone, of key, of volume and tempo add yet more to the expression. Additionally, the sound of many voices, combined, whether in harmony or unison, is something that cannot be achieved in a purely linear conversation. It is the sound of communion, of many things that are also one thing as well as being many.

And I heard a voice from heaven, like the voice of many waters, and like the voice of loud thunder. And I heard the sound of harpists playing their harps.They sang as it were a new song before the throne, before the four living creatures, and the elders; and no one could learn that song except the hundred and forty-four thousand who were redeemed from the earth.” (Rev. 14:2-3)

Singing is what communion sounds like when it speaks.

It is of note that the Liturgy of the Orthodox Church is sung, whether it is chanted by the priest, or sung by the choir or people. Traditionally, very little is ever merely spoken. The Latin Church developed a two-fold pattern in its early history: the “high” Mass in which singing is the primary mode, and the “low” Mass in which the service is spoken. I have no knowledge as to why this practice developed. In Orthodoxy, there is only ever one “kind” of Liturgy. In Western terms, every Liturgy is a “High Mass.”

The mystery of singing is perhaps a topic for another time. However, singing is something other than speaking. Research suggests that speech is primarily the work of the left hemisphere of the brain, while singing engages both hemisphere, with a dominance in the right hemisphere. Those who have worked with stroke patients (I have seen this in my own pastoral ministry) note that a person can sing or process music when speech itself has been impaired or lost. There is a wisdom in the Church’s remembered tradition that teaches us to sing.

That the sounds of heaven are described in terms of music (the sound of many waters) reinforces the iconicity of singing. We do what heaven does and heaven is present in our midst.

Sing, O heavens, for the LORD has done it! Shout, you lower parts of the earth; Break forth into singing, you mountains, O forest, and every tree in it! For the LORD has redeemed Jacob, And glorified Himself in Israel.(Isaiah 44:23)

All of creation has started to sing…join the chorus!

About Fr. Stephen Freeman

Fr. Stephen is a retired Archpriest of the Orthodox Church in America. He is also author of Everywhere Present: Christianity in a One-Storey Universe, and Face to Face: Knowing God Beyond Our Shame, as well as the Glory to God podcast series on Ancient Faith Radio.



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14 responses to “The Icon of Music”

  1. Dee St Herman Avatar
    Dee St Herman

    Dear Father!
    Is this a picture of you in your new parish? The scene is so beautiful! And there you are with a palm leaf, ushering and praising the Lord into His Kingdom!

    Now I need to read the article but love tge title already!

    Christ is Risen!

  2. Fr. Stephen Avatar

    Dee,
    Yes about the picture. This was Palm Sunday – the Great Entrance. Sadly, you can’t hear the music. St. John’s has a full-time choir director (quite talented). I have spent many years in small churches and mission-planting where just learning to sing harmony seemed an amazing achievement. So, I’m getting a little spoiled in this new stage of life (not complaining at all).

  3. john carbone Avatar
    john carbone

    oft said in an unattributed quote “to sing is praying twice”

  4. Matthew Avatar
    Matthew

    In my Protestant evangelical days, there was this notion that the music (which was very contemporary) ushered in the Holy Spirit. We were very, very connected to the music and I remember some people being very negative about liturgical music stating that it was without the Holy Spirit.

    As I have been in much more western liturgical settings for many years, I have noticed that the music moves me in a way that I cannot really explain. In a way that contemporary Protestant music never really did. My family here in Germany is a classical music family, so I have learned to broaden my musical tastes. For that I am thankful.

    All I am saying is that I suppose contemporary music has its place, but whether it really creates the space for “union”/”exchange” to take place, I don´t know. I suppose back in the day, although my understanding of salvation was much different, the music I was listening to in my worship time(s) was doing something for me ontologically. At least I hope so.

  5. Fr. Stephen Avatar

    Matthew,
    There is more to music than most of us imagine. I personally think that music has always been one of the strongest aspects of the various Protestant churches. No doubt, there are pro’s and con’s about various styles and the content. But, there is an instinct about music and worship that is there, regardless of how accurately it is articulated.

    Orthodoxy has a wide range of music. There is Byzantine chant, which is pretty much the oldest surviving form. But, if we look to the Church in the Republic of Georgia, we hear an extremely ancient musical form which is native to that country and not the product of the Byzantine experience (it might be just as old as the Byzantine). The 4-part harmony (and more) found in Russia and those Churches indebted to its legacy runs from a fairly simple set of harmonized tones, to the settings of Rachmaninov, Tchaikovsky, and others. It should be noted that music continues to be written. The American Church is slowly producing a variety of music as well (some of it better than others).

    The Reformation had interesting impacts of music and worship. In its most extreme form, very simple settings of psalms were used with no accompaniment. I think about this topic (music and worship) a lot and ponder it with awe.

  6. Matthew Avatar
    Matthew

    Thanks so much Fr. Stephen.

  7. Dee of St Herman Avatar
    Dee of St Herman

    Father,
    It’s interesting, I was on a YouTube channel intending to find something on life on Mt Athos, and came across a short where monks were eating, and there was someone singing a hymn in the background. But it was so short that I wasn’t sure what was being sung and was wishing the video was longer, so that I could hear more of the song.

    Then, I clicked on a couple of other shorts and found a video where someone was singing about Jesus. I clicked it off immediately. I don’t know what it was, but it was very ‘pop’ and didn’t really seem to be singing to Christ or with people living in Christ. While I don’t think it was intentional, it almost seemed like a parody, and in the few seconds that I listened, it seemed nearly painful to hear.

    The contrast in these experiences seems to exemplify what you’re describing in your article. In one, I heard an icon in musical form, and in the other, something else, seemingly using Christ as a subject. The latter is difficult to describe.

    On a very few occasions when I play a harp, I can hear echoes that seem beyond the scope of the physical notes. This has nothing to do with any capacity on my part to play (I’m way too much of a novice and dabbler), but an accidental occurrence where my heart heard something beyond, evoking gratitude and tears.

  8. Janine Avatar
    Janine

    Thank you so much Father, and commenters. I am a singer myself, and this has lots of meaning for me, touching on many experiences.

    In college I took a class from a modern American poet, Peter Everwine, who began by reminding us that from ancient times, no poetry existed without being sung. That’s just a good start right there. In Church and in prayer life there is so much more to say.

  9. Fr. Stephen Avatar

    Dee,
    The “music beyond” is indeed a joy. I once heard an angel singing – but that was a very long time ago. I could not place the octave in which it sang, though it seemed high. I was not alone, nor was the only one who heard it. But it left us in a stunned silence. A story for another time.

  10. Diana Kathleen Feniak-Ponich Avatar
    Diana Kathleen Feniak-Ponich

    Thank you! What parish are you at?

  11. Fr. Stephen Avatar

    Diana,
    I am now at St. John of the Ladder (OCA) in Greenville, SC.

  12. David E. Rockett Avatar
    David E. Rockett

    Thanks Father,
    Thinks this might be one of those “accidentally Iconic” song, A beautiful cover we all know…where Eva Cassidy (who died at 33 of cancer)…who captures the yearning and longing…the Hope Of Heaven. [see Fr Stephen: “The Essential Goodness of All Things”

  13. Ook Avatar
    Ook

    Several years ago a friend took me to an RC extraordinary form liturgy. I ended up going several times, and to this day it amazes me that I can still sing Pater Noster in Latin but cannot recite it. Just something I picked up there.

    About some music not being iconic: Rachmaninoff’s Vespers were intended primarily for a concert setting, even though I understand some have been used in the all night vigil recently. Is this music iconic?
    In fact I recall reading that he faced disapproval from Church authorities after a public concert performance of his Liturgy, as it was seen as inappropriate for non-liturgical settings.

  14. Fr. Stephen Avatar

    Ook,
    I’d be interested in reading about any negative reactions to Rachmaninov’s Vespers. I wasn’t completed until 1917 and performed just before he fled (or was exiled?) the Soviet Union. The Church in Moscow was in terrible turmoil, so I don’t take any of that terribly seriously.

    I believe it is “iconic” because I have experienced as such (as have many others). Compared to Bortniansky and some of the 19th century composers who are frequently used in services, his work was far more “churchly.”

    Interestingly, what you’re saying is that it was seen as inappropriate for “non-liturgical settings” which actually speaks to its iconicity. For myself, I would much rather hear it in a liturgical setting – just as I would prefer that icons be in their proper setting rather than in museums.

    Today, it is not unusual to hear parts of it performed in chapels in the Kremlin with, more or less, Church sponsorship.

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  1. Ook, I’d be interested in reading about any negative reactions to Rachmaninov’s Vespers. I wasn’t completed until 1917 and performed…

  2. Several years ago a friend took me to an RC extraordinary form liturgy. I ended up going several times, and…

  3. Thanks Father, Thinks this might be one of those “accidentally Iconic” song, A beautiful cover we all know…where Eva Cassidy…


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